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©2008-2009 *Qarrezel
:iconqarrezel:

Artist's Comments

You asked for it, and I've finally finished Part 1 of the mask making tutorial! It may count as more of an overview, since I don't go into a ton of detail, but it would be an absolute book if I did - even still it's going to be a very long tutorial, as you can see.

This is phase C of part one

Description of steps:

16.) Now, I cast the resin mask form. I will not be using a mold release agent for this casting, since the silicone has excellent release properties on its own. However, a latex or urethane mold would require release agent. I measure out equal parts of resin part A, part B, and Filler* (the cups are labeled in the photo).

17.) I mix the three components together thoroughly, and pour them into the mold. I "slush cast" or rotary cast the liquid resin, coating the interior of the mold in an even layer of resin. The resin begins to gel in about 2 minutes.

18.) Once layer one has set up, I mix up layer two. It has all of the same components, except that I also added a couple drops of black pigment.

19.) Layer two is applied the same as the first layer, and left to cure fully. If any places seem thin, I may apply a third layer, but it's usually not necessary.

20.) About 15 minutes later, I demold a perfect lightweight copy of the original model.

And I really do mean lightweight - just so you can all see for yourselves, here's a photo of the mask blank on a digital scale: [link]
(it's reading 4.1 oz, in case that's hard to see).


That's all for Part 1! Part 2 will cover the adding of components in preparation for furring, but I have to do it first.


Part 1-A: [link] Part 1-B: [link]

---------------------------------------------------------------------------

* it's a powdered filler, which serves two major purposes - one, it makes this slush-casting (or sometimes brush-on) method much easier, and it also reduces the weight of the casting. Of course, it also decreases the cost of each casting by a little bit (since each casting then requires that much less resin), but that's mainly just a plus for me.



To learn more about the materials I'm using, and to learn more about mold making and casting basics, visit Smooth-On.com: [link]

Comments


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:icontaeliac:
This is amazing - I'm working on a pair of small prop ear things from an anime, and I just messed up *another* plaster of paris mold to cast out of latex... I very much want to try this method, now! Thank you very, very much for doing this - these methods are great, and your explanation is wonderful!

--
"Don't cry because it's over. Smile because it happened." ~ Dr. Seuss

Why watch anime when you can be anime? Custom Cosplay Commissions [link]
:iconbear48:
wonderful

--
St. Francis said,
“A man who uses his hands is a laborer. One who uses his hands and mind is a craftsman. He who uses his hands, and his mind, and his heart is an artist.”
:iconraptorarts:
Well done! What do you use as a filler? I used to use plaster just because it was cheep but it made masks very heavy. Then I went to a white powder silica material filler which is super light but its deadly toxic to the lungs if breathed in. Hence why I use my Respirator and do it with windows and doors open.

--
Commissions are always open.
If you like my art feel free to commission me :)
Every commission helps pay for my Rent & Food while in college.
:iconqarrezel:
I use UreFil 3 from Smooth-On. I think it's a ceramic based filler, but I know it does still have silica powder in it, so it's still pretty dangerous. Luckily it's a sort of sand-like powder that doesn't become airborne too easily.
:iconbeetlecat:
Haha! That is so weird! I actually made my latest mask from resin (instead of foam) because my methods have changed and I am *really* sick of needing a 2 part mold system (So I'm basically going back to how I used to do it with papier mache. Funny how the world turns back!).

You were smart to have done that from the beginning. So I was thinking of you and then you go and post this! Extremely interesting!

--
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www.BeetleCatOriginals.com

COMMISSION STATUS: CLOSED
:icongrrrowly:
That was kind of confusing for people that have never made molds before... but it's interesting to see all the various steps you take to get your finished product. :o
:iconladyserpent:
Quite a helpful tutorial; thanks for posting. Will make this much easier when I attempt my first cast this winter.

Curiously, why do you add black pigment to the second layer of resin? I couldn't think of a solid reason why the inner mask should be black, but not the outer.

Great stuff; thank you!

-Lady S.
:iconqarrezel:
Yeah, but like I said, going into detail would take an absolute book. But the Smooth-On website that I linked to has many, many photo and video tutorials that cover the basics pretty well, I think, for those that want to learn more.
:iconqarrezel:
It doesn't really matter. I wanted the two layers to be obvious for the tutorial, for one. Also, I prefer to make the insides of my masks black or close to it so that white bits don't shine out of the mouth and such. Hopefully that reasoning may make a little more sense after the next part of the tutorial, but it's not a necessary step, no.
:iconqarrezel:
Wow, that really is interesting! So we're resin buddies now, haha.

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November 6, 2008
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